"Daniel Johansson makes his entrance through the stage floor, and we are met with a bloodied, returning Otello. He is almost naked, a profoundly vulnerable portrayal, almost resembling a suffering Christ figure. Here, Daniel Johansson joins the ranks of the great interpreters of Otello. His tenor has grown in dramatic intensity over the years. I have followed his career from the very beginning, and now he delivers vocally at the very highest level, especially in the moments of intense dramatic tension. His top notes are dazzling, and he creates a moving portrayal of a man consumed by jealousy." Otello/Norwegian National Opera 2025
Tidskriften Opera/Tranberg 2025-01-24
"Musically, I was most impressed with the Siegfried of Daniel Johansson, whose powerful tenor voice rang out repeated high A’s with easy, unforced power – the timber burnished and eloquent, the focus secure, the text trenchantly pronounced – and was equally telling in the quiet narrative of Siegfried’s life review, after Hagen’s potion begins to wear off. He seemed to me the Siegfried we have long waited for. " Götterdämmerung/Dallas Symphony Orchestra 2024
Truman C. Wang/Classical Voice/ Oct 24, 2024
"The star of the performance is Daniel Johansson as Calaf. He is indeed in the midst of a significant international career, particularly in German roles, especially in operas by Wagner and Schreker, and his tenor has none of the Mediterranean timbre that we are accustomed to hearing in Calaf. This turns out to be very refreshing as a change. Johansson's rich, dense timbre feels idiomatic for the role's unwavering determination, and the fact that his 'Nessun dorma' is met with great applause from the audience is entirely justified." Turandot/Malmö Opera 2024
Lennart Bromander/Tidskriften Opera. Feb 24, 2024
"Zuvorderst: Die Opern-Welt hat einen neuen Tannhäuser. Der Schwede Daniel Johansson, in Essen bereits als Lohengrin bekannt, hat nicht nur sein Rollendebüt als Tannhäuser gemeistert, sondern ist ein charismatischer Heldentenor auf höchstem technischem Niveau: Leichtigkeit in allen Registern, freischwingend in der Höhe, wohlige Mittellage und mit famosem Textverständnis."
"First and foremost: the opera world has a new Tannhäuser. The Swede Daniel Johansson, already known as Lohengrin in Essen, has not only mastered his role debut as Tannhäuser, but is also a charismatic heroic tenor at the highest technical level: lightness in all registers, freely vibrating in the high register, comfortable middle register and with a splendid understanding of the text."
Ulrike Kolter/The German Stage September 25, 2022
”Daniel Johansson, der in Essen schon den Lohengrin gesungen hat, tritt ihr als cooler und emotional eher zurückhaltender Tristan gegenüber. Dabei klingt der schwedische Tenor nicht nur konturiert und klar, sondern verfügt auch über Strahlkraft." – Tristan XS/Theater und Philharmonie Essen
Klaus Stübler/Ruhr Nachrichten - 6. Oktober 2020
“The two main protagonists, Byström herself and tenor Daniel Johansson transformed the final scenes into the highlight of the performance. Johansson’s tenor is powerful and generous, well supported, with strong and bright high notes.” –Fedora/Royal Swedish Opera
Larua Servidei/Bachtrack – March 12 2018
“Making his debut as Cavaradossi, Daniel Johansson sang with a pleasingly free and ringing voice, with exciting high notes... his “E lucevan le stelle” was thrillingly sung.” – Tosca/The Norwegian Opera
Aksel Tollåli/Bachtrack - 16 June 2017
”– but it is the lirico-spinto repertoire that is his true metier and the warmth and glow in the duet and beauty of Addio fiorito asil in the last act just confirmed my opinion that he is one of the very best tenors in Scandinavia.”
Göran Forsling/Seen and Heard International/ -15 November 2014
... vor allem aber dem stellenweise an den ganz frühen Pavarotti erinnernden Tenor Daniel Johansson als Rodolfo dürfte man schon bald in südlicheren Gefilden wiederbegegnen.
Frankfurter Allgemeine Zeitung 27 januari 2012